Reiki in Digital Art Therapy: Interdisciplinary Practice in the Fourth Industrial Revolution

Authors

  • Dr. Yiu Kwong Au-Yeung, FRSM, FRSA University of Metaphysical Sciences

DOI:

https://doi.org/10.71113/JCAC.v1i1.307

Keywords:

Digital art therapy, Reiki, Fourth Industrial Revolution, virtual reality, interdisciplinary practice, transpersonal psychology

Abstract

This paper explores the emerging integration of Reiki healing practices with digital art therapy in the context of the Fourth Industrial Revolution. As digital technologies transform therapeutic approaches, this interdisciplinary practice merges ancient energy work with virtual reality (VR), augmented reality (AR), and AI-generated imagery to address contemporary mental health challenges. Through case study analysis and theoretical exploration, this research examines how Reiki principles enhance psychological outcomes and cultural engagement in digital art therapy settings. Such findings suggest that it produces a unique therapeutic experience that balances technological innovation and holistic healing cultures, which may be able to solve the increased disconnection with constant digital advancements and human health. This point represents a very innovative application of therapeutic practice as well as a cultural discourse in which humanities and social science can transform and evolve within rapidly changing technological environments. 

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Author Biography

Dr. Yiu Kwong Au-Yeung, FRSM, FRSA, University of Metaphysical Sciences

Dr. Yiu Kwong Au-Yeung, FRSM, FRSA, is a Senior Researcher & Curriculum Developer in the Research Team at the University of Metaphysical Sciences, Minnesota, USA. His research interests include transpersonal counseling and parapsychology. He has published extensively on consciousness, spirituality, and societal well-being and advises doctoral research in the field of transpersonal counseling.

References

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Published

2025-05-13

How to Cite

Au-Yeung, Y. K. (2025). Reiki in Digital Art Therapy: Interdisciplinary Practice in the Fourth Industrial Revolution . Journal of Contemporary Art Criticism, 1(1), 44–47. https://doi.org/10.71113/JCAC.v1i1.307

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Section

Articles